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Complete putatara, with conch shell body and wooden mouthpiece intact. The wooden mouthpiece is carved, two ridges down either side, with curved ridges linking them around the front, creating a mouthpiece that looks phallic in shape. There are two circular paua inlay on the front and back. One inlay appears to be adhered with red wax. The mouthpiece is attached to the shell with fibre and wax. There is a perforation through the outer lip of the aperture that has a length of fibre twine through it. On the outer whorl of the body there is a large repair. An oval piece of wood has been fixed to a hole in the wood with four lengths of fibre twine that has been waxed to fill in any gaps. At the distal end of the aperture there is a perforation.

Wooden carved wheku/koruru. Painted dark red and black. Carved with a rauponga (grooves and notches) and spiral pattern around the figure's mouth, tongue, nostrils, and top of the forehead. Paua shell inlaid into slanted eyes, held in place by metal pieces. Two perforations at the mouth on either side of protruding tongue. Back side has a piece of curved wood with a perforation for suspension.

Consists of two figures – perhaps Rangi-nui and Papa-tū-ā-nuku embracing - with a third figure under their legs forming, with other carvings, a lintel over the opening. Along the proper left side are three other faces, each with moko. The faces of all the figures have been left black while the rest of the carving is painted red. The eyes are inlaid with pāua shell. The top and right hand side show evidence of shaping for fitting the pātaka, as well there are holes for lashing on the right hand side. The carving may depict Rangi and Papa and some of their many sons who, until their parents were parted, lived in the darkness between their bodies. Tane personified the sun and was the fertiliser of the land and all its creatures; Tangaroa personified the sea and its inhabitants. These children of Rangi and Papa personified natural phenomena such as the sun, the moon, the sea, and the winds.

Wooden carved wheku/koruru. Painted dark red and carved with a rauponga (grooves and notches) pattern around the figure's mouth, nostrils, and top of the forehead. Paua shell inlaid into slanted eyes. Distal end comes to a point, indicating a protruding tongue; five teeth depicted. Two perforations at the mouth. Back side has a piece of wood protruding as well as two metal hooks tied with wire for suspension.

Complete kahawai lure. Curved paua shell shank with serrations along edges. Muka lashings and twisted cord at head and base. Straight bone point with internal barb and external notch. Point and lashings at base appear to be burnt.

Complete kahawai lure. Curved wooden shank with notches at head and base. Muka lashings across notches and cord at head. Paua shell inlay. Bone point is complete and straight with internal barb. Orange and yellow feathers attached by lashings at the base.

Complete whakawae. Features two human figures, one standing on top of the other. The top figure is larger, with paua shell inlay eyes and his tongue sticking out. His hands rest on his stomach. The lower figure has a horizontal head featuring paua shell inlay eyes. Parts of his body have been rubbed smooth from touching. His right leg has been previously broken off, and there is a visible repair with glue and nails.

Complete Whakawae. Features two human figures, one standing on top of the other. Both figures feature paua shell inlay eyes with tongues sticking out, and both hands resting on their stomachs. The lower figure's body has been rubbed smooth from touching.

Complete epa. Rectangular shaped piece that has been sawn off at top and at bottom. This epa shows the upper half of a frontal human figure - the head disproportionately large, with paua shell inlay eyes. The head is carved using a rauponga pattern, while the body is carved using a different style where featuring notches (ngau pae). Right arm is lowered at shoulder but bends up at elbow so that three fingered hand rests on pectoral area beneath a small raised spiral. Left arm is lowered and bent at elbow so that three fingered hand rests across stomach This piece is cut short at the top of the hips.

Complete paua shell tiki eye. A perforation hole ahs been drilled through the centre of the shell and there are notches around the exterior edge.

Paua shell containing ground kōkōwai (red ochre). Perforation drilled at one end.

Complete kahawai lure. Wooden shank with knobs at head. Paua shell inlay. Muka lashings at head and base. Curved bone point with internal barb and notches at base.

Broken kahawai lure, shank remaining. Curved wooden shank with knob at base and notches at head. Paua shell inlay.

Complete kahawai lure. Curved wooden shank with notches at head and base for lashings. Paua inlay. Lashings and cord at head and base. Straight bone point with internal barb. Some remnants of feathers at base.

Complete kahawai lure. Wooden shank with knobs at head and large knob at base. Paua shell inlay. Straight bone point with internal barb. Lashings and twisted cord at head and base.

Complete kahawai lure. Wooden shank with knobs at head and large knob at base. Paua shell inlay. Straight bone point with internal barb. Lashings at base and head with twisted cord at head.

Complete pendant made from paua shell. Suspension hole at proximal end and curved to a point at the distal end.

Complete tokotoko. The distal portion of the tokotoko is uncarved. Everything above 34cm is finely carved in a variety of patterns. After a section of mixed diagonal and longitudinal carved lines, there are stacked human figures. The lowest two are bilateral carved faces with notched paua shell inlay eyes. The figure at the proximal end is a full standing human figure with two slender legs, ending with carved buttocks and stomach with four fingered hands that meet on the stomach. The arms and chest are carved, as is the face. The eyes are inlaid with notched paua shell. There is a curved handle protruding from the back of the head that curves around and meets the tokotoko again at the back of the shoulders of the figure. There is a final human face here where the handle meets the shoulders that also has inlaid paua shell eyes and long carved lip.

Ceremonial adze haft, identified as a fake. Dark brown wood with paua shell inlay and a twisted muka cord for lashing. Handle is carved with a geometric pattern of ridges and notches, with a human head carved on the butt. Haft consists of a carved human figure with adze housing situated between rear of legs, grasping a fish to its mouth with both three-fingered hands. Manaia eyes and forehead runs down ridge to base of hafting point. Figures are carved with geometric patterns.

Complete kahawai lure. Wooden shank with paua shell inlay. Straight bone point with internal barb. Muka lashings at base and head.