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Complete kahu huruhuru with black, white and reddish fowl feathers. Feathers are in roughly parallel, but not completely straight, lines. There is some grey wool in the weaving. There is a small tear along the bottom edge. The side is edged with red wool, the left with undyed wool. Manufactured using whatu aho rua technique (two-pair weft-twining). The upper edge is a thick braid.

Complete kahu huruhuru. The garments kaupapa (main body) is muka (flax fibres), the surface is covered with scattered, multicoloured feathers. There are two main vetical lines of solid feathers. In the centre of the kaupapa is a T shaped block of dark grey and orange feathers. The kaupapa is edged in a solid lines of feathers and a 2 ply red and green woolen whiri (plait). This same wool edging is used as the weft line across the top seam and as two 3 ply whiri extensions from the top seam creating ties. The top corners have cream fringing. A linen and velcro attachment has been sewn along the back of the top seam using cotton.

Complete kahu huruhuru, with peacock, chicken and turkey feathers. There are peacock feathers in a square in centre of the cloak, with wool borders approximately 8cm wide of blue, red and black. Along the top there are four ties using the same wool. One pair of ties are short, and set back from the edge by approximately 10cm, there is a longer pair of ties at each corner. Manufactured using a whatu aho patihi technique (single pair twining). The 1first whenu are made with two threads; one blue wool and one undyed flax.

Complete kahu kiwi (Kiwi feather cloak). Worked in single pair twine, shaped in middle, with a kiwi feather border, all sides but more narrow along the top, and there are single kiwi feather tags throughout the centre, like polka dots, There is brown twine above the bottom kiwi feather border.There are two purple ties that end in tassels at the top edge of the kahu kiwi, approximately 6cm from each side.

Complete kahu kiwi. Feathers are intermittently worked into the cloak. There is a vertical striped design; one brown, three yellow, one brown, three yellow, one brown. Cloak is worked in two pair twine, shaped at shoulders, has reverse weaving at selvages for finishing off black twine in selvages.

Complete kahu huruhuru, with tui, weka and pigeon feathers. Manufactured using whatu aho rua (two-pair weft-twining) technique with flax. There is a black strand along the left and right edges. The cloak has horizontal bands of alternating triangles, the lower five alternate between black and white triangles, with occasional triangles in green. The sixth band from the bottom is alternating green and white triangles, with the uppermost band once again alternating black and white. There is a band around the upper edge that has lost many of its feathers. There were two sets of ties along the upper edge, but they have been lost.

Complete kahu huruhuru with kiwi and pheasant feathers. The top edge is a two ply twist, except one at each of the ends, where the warps become part of the fringe. There are two attachments for tying - 1 is a piece of bias binding, the other a tassel in red, black and cream wool. The cloak is of cotton, with two-ply interlocking weft. Along the left and right edges there is a twist of blue, red, black and white wool. The centre of the cloak is kiwi feathers with pheasant feathers as a 6-8cm wide border on the left, right and bottom edges. The border is in square blocks of colours; down the sides there are alternating squares of black then brown. Along the bottom there are alternating squares of black, brown, and white feathers.

Complete tewhatewha. Chicken feathers are attached to the rapa (head). No other whakairo present. The opposite end tapers to a mata (point).

Complete kahu kiwi (kiwi feather cloak). Flax body in whatu rua, 2 pair twining, aho 1cm apart, whenu - 5 per cm. Covered with brown kiwi feathers, groups of 3 feathers worked into both rows of twining. Twisted muka fibre border and ties at the top.

Complete kahu huruhuru. There are kiwi feathers in the centre of the kahu huruhuru, with a green feather border; 5cm on the left side and 6cm border on the right side.There is a purple and grey herringbone stitch border at the top edge, and a gold and black twine at the bottom edge. There are two lengths of harakeke twine with loops at the end that are worked along the top edge, approximately 15cm from the right and left sides.

Flax fibre, decorated on front only with peacock, pheasant and domestic fowl feathers. There is one visible orange kaka feather on this kete woven in towards the centre of the body. Front extends as flap and folds over to back, loop on each side to button. (non-matching white and cream buttons. Warps held in place with double pair twine. Six bands of cross over stitch - alternate red and black which overlie warps (held with same weft rows) on back, flap and two rows front. Sides of flap bound with black fabric. Two whiri (braids) used as handles, with decorative tassels at end.

Complete kahu kiwi. The whole garment is woven in whatu aho rua (two-pair weft-twining). On each edge there are three black dye whenu, the last whenu along the very edges is made with 2 strands, one black one natural twisted together, this extends out the top edge as a tie. The kurupatu (collar) is braided whenu, with a fringe on the front side. There is densely woven kiwi feather all over the cloak attached by colour, grouped in waves of brown to white. Along the bottom edge there is green and pink wool stitch. At the top there are two natural coloured ties that are poked through the fabric and knotted, approximately 25cm from either edges.

Complete kahu huruhuru, with kiwi and pheasant feathers. Excepting borders, the main body of the cloak is covered with kiwi feather, with a pheasant feather border with distinct blue patch off-centre on left and right edges. Two pair twine, black twine in selvages. Shaped in centre and towards bottom. Manufactured using whatu aho rua (single-pair weft-twining) technique. On the back side, there are five small net bags evenly spaced in two rows - three along the mid-line and two nearer the bottom edge. The left and right edges are multi-strand twists of red, black and undyed string.

Complete flax kete with kiwi feather decoration. Warps held in place with double pair twine. Each row 1.0 - 1.5cm apart; 19 in all. Feathers attached at every third warp on alternate weft rows. Loosely twisted flax fibre handles on each side. Cast on using thrum technique and cast off from inside by placing first pair of warps to back of second pair, second pair to back of third pair, etc. Held by double pair twine. Warps then frayed to form fringe on outside around top.

Complete kahu huruhuru with kereru feather, flax fibre and wool. Manufactured with whatu aho rua technique (two-pair weft-twining). The first and the last whenu along the left and right edges are pink and blue wool thread twisted together. Kereru feather attached singly (a aho/2) in green and white vertical stripes. The kurupatu (fringe collar) is made with white feather. There are no ties. There is a small area of repair along the top at one edge.

Edible bird’s nests are made by the Black nest swiftlet and the White nest swiftlet, both of which are found in South East Asia., The nests are made from a glutinous solution that is spat out in the saliva of these birds and are claimed to relieve many medical ailments. For around 1,200 years, the Chinese people have eaten the nests in soup.

This Kete is unusual due to the orientation of the feathers, which is upside down when compared to most kete huruhuru. One side features native orange tipped kaka feathers with intermittent kereru feathers featured throughout. The opposite side predominantly seems to be woven using primarily duck feathers of varying species. The cast on for this kete is also unusual, as it appears to have used a base cord for the brim, where whenu (warps) have been attached by creating a loop and pulling the tail ends through. The muka for this kete is dyed black, most likely using paru (iron rich mud) which is beginning to show signs of breakdown. The yellow dye is most likely achieved using raurekau/kanono bark.

Complete kahawai lure. Curved wooden shank with notches at head and base for lashings. White iridescent shell inlay, broken near the centre. Muka lashings at head and base. Twisted cord attached at head with a nail sticking out of the cord. Some feathers attached to muka at the base. Curved bone point with internal barb.

Black and white woollen kete. Weaving with synthetic wefts and handle and decorated with blue/green domestic fowl feathers. Warps of cream wool held together with cream wefts in double pair twine. Centre four warp rows cross over stitch - outer two of five warps crossed. Feathers attached along top and bottom with double pair twine. Black twisted woollen cord attached in pattern above feathers. Lined with blue satin sheen fabric. Single black braided cord handle (synthetic) attached on either side.

Kete Houhere (Bag made with lacebark). Woven with whatu aho patahi (single-pair weft-twining). This kete was woven from the bottom up. Black and white chicken feathers decorate the body in alternating rows. A woven tapiki (finish) completes this kete with whenu (strands) being discarded internally before being trimmed. Two Houhere cords made via the miro (rolling) technique act as handles.