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Zulu head band of cowrie shells sewn on to cloth

Complete kahawai lure. Curved wooden shank with notches at head and base for lashings. White iridescent shell inlay, broken near the centre. Muka lashings at head and base. Twisted cord attached at head with a nail sticking out of the cord. Some feathers attached to muka at the base. Curved bone point with internal barb.

Complete kahawai lure. Curved wooden shank with notches at head and base for lashings. White iridescent shell inlay. Muka lashings at head and base. Twisted cord attached at head. Straight iron point with internal barb.

Complete Patu in very good condition, it is slightly discoloured in some parts. The Patu is long and flat. The Hole at the bottom of the butt has been drilled in from both sides.

Mostly complete bone fishhook point, small part of the tip broken off. Three large external notches and one internal notch at the base.

Complete slightly curved bone pendant with a suspension hole at the proximal end.

Complete bone pendant with suspension hole. Each end is curved, meeting in the centre at a carved human face.

Six light brown moa feathers stored in glass, recovered from the three ply braid of a kakahu.

Complete kahu huruhuru. There are kiwi feathers in the centre of the kahu huruhuru, with a green feather border; 5cm on the left side and 6cm border on the right side.There is a purple and grey herringbone stitch border at the top edge, and a gold and black twine at the bottom edge. There are two lengths of harakeke twine with loops at the end that are worked along the top edge, approximately 15cm from the right and left sides.

Complete kahu kuri cloak. The kaupapa (body) is woven in close, single pair pukapuka (twining) except for occasional rows of whatuaho rua (double pair twining) which are woven tightly with a small gap used for a guide to sew the dogskin strip. The kurupatu (fringe collar) is made with a dogskin strip. The kahu kuri is covered with small tufts of dog fur, lighter around the sides, darker through the middle. There are areas of the cloak where the fur has thinned, showing the dog skin strips. The edges of the cloak, under the fur, are woven with darker fibres, in an almost chevron pattern. There is a modern support pillow and velcro strip attached to the inside of the cloak.

Wooden carved wheku/koruru. Painted dark red and black. Carved with a rauponga (grooves and notches) and spiral pattern around the figure's mouth, tongue, nostrils, and top of the forehead. Paua shell inlaid into slanted eyes, held in place by metal pieces. Two perforations at the mouth on either side of protruding tongue. Back side has a piece of curved wood with a perforation for suspension.

complete, everything in place, no Tau. This Patu is in very good condition. On one side it is cracked along the blade, it has a small hole along that crack near the bottom. The crack has been fixed with adhesive. At the butt of the patu there are markings, Reke, that surround the hole for the tau.

Consists of two figures – perhaps Rangi-nui and Papa-tū-ā-nuku embracing - with a third figure under their legs forming, with other carvings, a lintel over the opening. Along the proper left side are three other faces, each with moko. The faces of all the figures have been left black while the rest of the carving is painted red. The eyes are inlaid with pāua shell. The top and right hand side show evidence of shaping for fitting the pātaka, as well there are holes for lashing on the right hand side. The carving may depict Rangi and Papa and some of their many sons who, until their parents were parted, lived in the darkness between their bodies. Tane personified the sun and was the fertiliser of the land and all its creatures; Tangaroa personified the sea and its inhabitants. These children of Rangi and Papa personified natural phenomena such as the sun, the moon, the sea, and the winds.

Complete hoeroa. Rounded at the distal end, with two small ridges protruding on either side edge in the centre of the shaft. The proximal end is finely carved, with two carved holes, and notched at the proximal end edge. There is a small chip broken off top curve on one side. The overall shape of the hoeroa is bowed.

Wooden carved wheku/koruru. Painted dark red and carved with a rauponga (grooves and notches) pattern around the figure's mouth, nostrils, and top of the forehead. Paua shell inlaid into slanted eyes. Distal end comes to a point, indicating a protruding tongue; five teeth depicted. Two perforations at the mouth. Back side has a piece of wood protruding as well as two metal hooks tied with wire for suspension.

Complete kahawai lure. Curved paua shell shank with serrations along edges. Muka lashings and twisted cord at head and base. Straight bone point with internal barb and external notch. Point and lashings at base appear to be burnt.

Complete kahawai lure. Curved wooden shank with notches at head and base. Muka lashings across notches and cord at head. Paua shell inlay. Bone point is complete and straight with internal barb. Orange and yellow feathers attached by lashings at the base.

A: Complete barracouta lure. Straight wooden shank with a dessicated surface. On one end, there are two grooves on one side and one on the edge for lashing. Bone point inserted at the other end in a perforation. Point is slightly curved with a serrated external edge. B: Complete barracouta lure. Straight wooden shank with a smoothly worked surface, some cut marks and dessication evident. At one end, there is a groove on each side and one on the edge for lashing. Bone point inserted at the other end in a perforation. Point is slightly curved with a serrated external edge.

Complete hei tiki made from bone. Suspension hole at top of the head. Head is large in proportion to body, turned to the proper right side, and pointed at the top, with a ridge between eyes to top of forehead. Carved eyes and pointed mouth with tongue. Perforations at neck, arms, and legs. Hands rest on thighs with four fingers on each. Legs are joined at the base. Surface is ground smooth.

Complete whakawae. Features two human figures, one standing on top of the other. The top figure is larger, with paua shell inlay eyes and his tongue sticking out. His hands rest on his stomach. The lower figure has a horizontal head featuring paua shell inlay eyes. Parts of his body have been rubbed smooth from touching. His right leg has been previously broken off, and there is a visible repair with glue and nails.