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Complete plaster cast of a tatā (canoe bailer). Painted mid brown. Surface water stain and cracking inside scoop. Handle projects over the scoop, with a carving and two perforations on the butt. Back of the scoop has a wheku figure carving. Cast has been broken and repaired at the base of the handle and on several places on the scoop.

Cast of a waka huia. Two large pieces have broken off either end of the lid, one is missing. Painted dark brown. Rectangular box with double-sided manaia or human figures at each end. The exterior sides of the box are carved with rauru (double spirals). The exterior side of the bottom of the box has a set of four human figures carved down spine, with rauru along either side. Interior of box is undecorated and shallow. The exterior side of the lid has a high relief carving of four figures down the centre line as a handle. The pointed legs of the two end figures double as lid fittings cut into base.

Cast of a waka huia. Painted mid brown. Rectangular in cross section. Lid is flat, with a curved interlocking crescent pattern carved on the exterior surface. Two manaia figures dominate the bottom of the box, sitting parallel from centre with head at end of bottom. Both ends consist of a koruru style head with protruding tongues. Central figure delineates between two manaia figures running from centre of sides to ends. The interior surface of both the box and the lid are uncarved.

Cast of a waka huia. Painted dark brown. Cross section is rectangular. The exterior sides of the box and lid have human and manaia figures and geometric patterns carved throughout. Eyes and other circular grooves are filled with thick silver paint. The box has a three-dimensional figure at each end, with perforations between the limbs. Lid is flat with three curved projections at each end (some of which have broken off) which dovetail into top of base. Inside of base and lid uncarved.

Cast of a nguru. Painted dark brown with silver paint representing paua shell inlay throughout. Two holes on the top side near the proximal end and one at the distal end. Three carved figures on surface; at the neck of the centre figure is an angled perforation for suspension. Eye and geometric carvings around the perimeter of the proximal end.

Cast of double-barrelled pūtōrino. Painted dark brown. Proximal end has a facial carving with protruding tongue. Two holes in centre top of each barrel form the mouths of two opposite-facing carvings. Tapering toward the distal end, with another face carving. Figures have gold paint around their eyes. Six groups of fibre bindings are represented by dark yellow paint.

Cast of a pae hamuti, used as a grip to balance while squatting over a latrine. A human head figure is carved at each end; one is much larger than the other and has a forked tongue and silver paint inserted in eyes. The body of the larger figure is carved behind the head, with three-fingered hands resting on torso and three-toed feet resting on the jaw, and geometric decoration on the shoulders and buttocks. The middle of the handle is carved with a lizard or taniwha body connecting to the smaller head. There is a rectangular reduction on the bar (at the end closest to the larger carved head), with a two rectangular perforations in the centre for lashing.

Plaster cast of a kōrere (feeding funnel). Painted dark brown. Exterior surface is carved with a koru pattern. A manaia figure protrudes from one side of the bowl, with silver painted eyes representing paua shell. A human face protrudes from the other side of the bowl onto the spout. The spout tapers to the distal end. The interior of the bowl has a koru pattern around the rim but is otherwise undecorated.

Complete cast of a pendant. Original appears to have been made from a human skull as profile is curved and surface includes cranial suture grooves. Anthropomorphic lizard shape with spirals at buttocks, shoulders, and around eyes. Three-toed feet protruding from either side of the distal end. Proper left side hand is in the shape of a bird-head with beak. Proximal end is in the shape of a head with eyes painted blue-green and a suspension hole on the tongue.

Complete hue (gourd container or calabash). Mid brown and mid orange. Very elongated, slightly curved at the base and tapering toward the neck. Top edge is broken and irregular. Two straight perforations drilled on either side of the neck.

Complete Trapezoidal cross-section. Back narrower than front. The surface of the blade is mostly ground with some flaking. The surface of the butt is bruised. There is differentiation between the butt and the blade. The front and sides are reduced to form shoulder. The bevel is demarcated by a curved line. The sides of the blade taper from the chin of the blade to the butt. The cutting edge is sharp and curved. The proper left portion of the cutting edge is broken.

Complete adze. Cross-section is rectangular. Surface is ground. Minor differentiation, gentle tapering of sides towards poll. Bevel is demarcated by line. Cutting edge is sharp and straight.

Complete adze. Cross-section is rectangular. Surface is ground. Undifferentiated between butt and blade. Bevel continuous with blade, cutting edge curved and sharp.

Kete Muka woven from natural and yellow dyed muka (flax fiber). Yellow possibly raurekau bark in origin. Woven from bottom to top using whatu aho patahi (single-pair weft-twining). The body of this kete is unusually decorated as double whenu (warp strands) appear to have been used, with one strand left loose to give the body of this kete a decorated ruffled effect. Yellow and natural muka have been miro (twined) to create two cords that have been added to act as handles. Frill work woven outer edge in yellow and natural muka has been sewn to the left and right edges.

Complete flax kete with kiwi feather decoration. Warps held in place with double pair twine. Each row 1.0 - 1.5cm apart; 19 in all. Feathers attached at every third warp on alternate weft rows. Loosely twisted flax fibre handles on each side. Cast on using thrum technique and cast off from inside by placing first pair of warps to back of second pair, second pair to back of third pair, etc. Held by double pair twine. Warps then frayed to form fringe on outside around top.

Complete adze. The cross section of the blade is rectangular, the cross section of the butt is plano-convex with the back flattened. The surface is predominantly ground, with some bruising on the butt and sides, and flaking on the back. The butt is differentiated by having a plano-convex cross section in contrast to the rectangular cross section of the blade. The bevel is continuous with the blade. The cutting edge is straight and sharp.

Complete wahaika rakau. The blade has a triangular shaped perforation chipped out and circular perforations with a piece of wood inserted. It also has a human carved on the side of the blade. The butt has a circular perforation chipped out and a face carved into it. The wahaika is in good condition.

Complete wahaika paraoa. A profile human figure joins the blade to the handle, with its legs extending across the handle. The face extends out into the recessed side of the blade. Another figure extends from the poll, with tongue extended and two hands coming to hold a stylised body. Both figures are adorned with pākati (notches) along the eyes, mouth, torso, arms and legs. Both figures have paua inserts in the eyes. There is a perforation at the poll. The convex distal edge of the blade is lightly notched from use.

Complete bird spear point. There are four barbs. There are notches either side of the lowest barb.

Complete pounamu pendant. Dark green in colour with high translucency. Cross section is lenticular. Surface is ground. J-shaped, with a curved and rounded distal end. Proximal end is also rounded, with a braided muka cord through the suspension hole.