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Complete taiaha. Dark brown wood with highly polished surface. One end has a large head and tongue carving with a rauru (spiral) pattern on the tongue. Lips, nose, slanted eyes and brow ridge depicted. At the other end, blade flattens and flares out, with a lenticular cross-section.

Complete taiaha. Human face carved on both sides of the proximal end. Rauru (spiral and notch) pattern carved on protruding tongue. Distal edge of the tongue tapers to a point; sides are flattened. Paua shell inlay is intact in three of four eyes. Cloth padding wrapped around the shaft below the carved faces; narrow strip of black cloth patterned with yellow dots and a larger piece of undecorated brown cloth. Cloth and remnants of bird quills are lashed on using plaited muka fibre. Tufts of white dog hair attached to plaited muka at the base of the shaft. Blade is undecorated and worked smooth, tapering to a slight point at the distal edge.

Wooden walking stick, worked smooth but undecorated. Circular in section, tapering slightly from thickest section (midpoint) to each end, both of which are flat.

Complete tewhatewha. The lower edge of the blade is curved. The top edge straight with a slight slope. There is a hole in lower edge of blade, for decoration to be suspended. There is a carving mid-way down the tewhatewha of a stylised head.

Complete tewhatewha. Dark brown wood worked smooth. Cross section is oval. Both sides of the blade are carved with a spiral with dog-tooth notches, koru, and grooves. Staff handle is undecorated. Curved blade projects off one side; sawn flat at the top.

Complete pouwhenua. Dark brown wood with a smooth, polished surface. Tapering to a dull point at the proximal end. About one-third of the way from the proximal end is a spiral and diamond-like carving on both sides. Blade flares out, with a ridge running lengthwise and a triangular distal edge. Cross section of the blade is a flattened diamond.

Complete tokotoko. Mid-brown wood. Carved with two full-length figures and rauponga (ridge and notch) pattern in a variety of directions and styles. Paua shell inlay in eyes and as features of rauponga pattern (three missing). Top figure has a realistic face, with a full moko, holding a patu in one hand. Lower figure has a more stylized, traditional face with slanted eyes and wide mouth. Handle and distal end are uncarved.

A small konae, a two cornered bag made with an even number of whenu (strands) from a folded square base. This Konae is woven from Houhere and completed with an external whiri and has then been folded internally on itself.

Large taha huahua (calabash container) consisting of a gourd inside a woven kete and a wooden frame. Gourd is dark brown/dark orange, with the top cut off to create a wide opening. There are four perforations around the rim of the gourd opening (only one is intact), used for fitting a tuki (wooden mouthpiece). Kete is woven in a under-one, over-one plait, using alternating black and natural unscraped flax. A plaited muka cord is tied around the kete opening, forming a series of loops and lashings around the wooden frame, as well as creating a handle. The wooden frame consists of two hoops around the kete and four legs, which rest diagonally to the calabash.

Waka huia without lid. Mid brown in colour. Lenticular shape. Exterior surface is carved in a geometric pattern including koru and rauru (double spirals). There is an human head projecting at each end for suspension.

Complete adze. Pounamu. Light green, mid green, and cream. Cross-section is oval. Surface is ground, with some bruising. Major differentiation between butt and blade, front and sides reduced forming shoulder. Poll flares out. Bevel is continuous with blade, cutting edge is sharp and curved, large chip on proper left side. Lightly chipped along cutting edge. "Kaikai's Beach" written on front and back.

Complete adze Asymmetrical cross-section, rounded on the proper left and sharper on proper right The surface is mostly bruised, with flake scars on the front and back and the cutting edge. The bevel is ground. There is no differentiation between blade and butt The bevel is continuous with the blade and is curved. The cutting edge is sharp and asymmetrical with some flake scars

Piece of twisted muka cord

complete roughly trapezoidal, back narrower than the front. The surface is ground, with bruising up the sides. Minor differentiation between the butt and blade, where there is a slight reduction from blade to butt on the front proper left side. The bevel is curved and continuous with the blade. The cutting edge is oblique and sharp.

Complete pouraka (small fish trap). Trap consists of two wooden hoops with two sticks overlapping above, lashed with muka fibre. A net of woven flax is stretched over the two hoops, with an opening in the centre.

Compete adze butt has a trapezoidal cross section, with back narrower than front. Blade has an oval cross-section. Surface of adze is ground, with bruised surface around sides of butt. major differentiation between butt and blade, with sides reduced. Bevel continuous with blade. Cutting edge is curved, with small chipping.

Complete sinker with shallow transverse lashing groove.

Broken bone pendant, distal end remaining. Slightly curved and tapering to a point at the distal end.

Broken bird spear point, midsection remaining. Visible repair near tip. Four barbs, the barb closest to the base is broken.

Complete fishhook point, slightly porous on one side.